Come Up into the House
She listened to the song
Of the impossible revolution
The way the marble is composition
Pouring out into a new spring
There was one there
Who could almost be moved by her plea—
Adjudicates
Colored with the newest passion
Whose maelstrom
Would pretend to see
That
A body is done?
When will victory be rested down?
Will the poets ever stop their cries?
So the wanting seems to spread
Long- est to the eye
The box of hope trampled
The people’s synergy
Here as they decide which way to go
The swan is wearing marks
The swan puts marks on collars
As others look on with greatest fear
The swan rubs shoulders with the new money
Come up into the house
Is what the people want to tell the king—
Rest easy & don’t be lone-
Ly—put the ace back in the center
So to share
Means before we
Can stomach this
This polis which is not only sight
There are so few that we know
The King of Corners
Marries the Queen of
Spades, & then they move into the town
Someone is reading all the same books
That they read weeping
Into us
Weeping into us with a new weepsight
The woman says, come up into the house
One man
Obliges
The continents
Disperse a bit
Come up into the house
The other women trim their lamps and wait for others to come
Someone buys them
Orange utopian drinks
The gardenias are blooming now
Two men line the
Streets with relics of church—
The world
Leans into itself
Who has been lying?
Someone by a lamp
Turns the oil up—
Two lines
That rarely meet seem to converge in the wanting
The others wait
Patiently for their new lovers
As if to say that revolution isn’t what
Entirely was wanted & yet it
Helps to know that
Some warm body can flummox it
& help it along
Come up into the house
Laura Carter lives, works, and plays in Atlanta, GA. She lives in a comfy yellow house (yes, it’s really yellow) with her dog Viola and cat Sasha, and is active in the poetry and music scenes in the area.